Footwear at the Caroline Court
Footwear at the Caroline Court
What the courtiers of Charles I
and his queen, Henriette Marie, wore on their feet is a subject about which I
had never thought until yesterday. I then came across an interesting piece by Erin Griffey entitled ‘Shoes, slippers,
galoshes and boots: Footwear at the Stuart court’ published on the Early Modern
court blog on 13th March, 2019. After some short introductory
remarks on the visibility of male courtiers’ footwear and silk stockings, her
focus was on the difficulty of detecting what female courtiers were wearing.
Very few prints and none of Van Dyck’s portraits offer clues even though some
depictions of masques do reveal shoes. To fill this gap, Erin Griffey turned to
the accounts of the Queen’s shoemakers, Thomas Gray until mid-1628 and then her
regular shoemaker until 1638, John Fossey, who may have been a German judging
by the variety of spellings that survive for his name.
In fact, Fossey supplied the
Queen with dozens of pairs of ‘plain’ shoes as well as seven pairs of galoshes
and three pairs of slippers according to his Michelmas 1628 bill: this was
quite apart from the seven pairs of boots supplied to her six pages: her
footboy got three pairs of shoes as well. It appears that the queen’s shoes
were richly decorated with laces, trimming and satin soles while being made
from fabrics like velvet and satin. Her slippers were made of crimson or
watchet velvet. Exactly what the soles were made of is less clear. Did the ‘plain’
shoes have wooden soles or did the Queen go outdoors in soft soles ? Male
servants certainly were provided with boots, which were ‘waxed’ to make them
sturdier. Clearly, Caroline courtiers and their servants were and were expected
to be well-shod.
But these items of footwear were
for the use of elite men and women. What did people of humbler status wear on
their feet? Clogs or leather footwear? Did some people walk about barefoot like
the peasants of France? I do not know but I should be intrigued to find out.
5th October, 2020
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